Langsner, Jules, ‘Los Angeles’, in: ARTnews, New York, January 1967, p. 63, 1966 Piene, Nan R., ‘New York. Rose, Barbara, ‘Artist’s buddy, give money, and total love’, in: Vogue, New York, 1 February 1970, pp. Sylvester, Julie, ‘Conversations with John Chamberlain’, in: The Contemporary, Los Angeles, Spring 1986 Galerie Daniel Blau, 'Baby Tycoons. Notes on the Pittsburgh Triennial’, in: Art International, Lugano, 20 November 1961, pp. New Methods', Binghamton NY Fifth Exhibition', New York NY German and American Art from Beuys and Warhol', London, Some Directions in Contemporary Painting and Sculpture', Chicago IL, 1961 Walker Art Center, 'Eighty Works from the Richard Brown Baker Collection', Minneapolis MN Phelps, Nicole, ‘Fall 2018 Ready-To-Wear. New Sculpture', New York: Rizzoli Publications, 2012 (exh. Laura Carpenter Fine Art, 'John Chamberlain. __, ‘Reviews and Previews’, in: ARTnews, New York, Summer 1967, p. 13 __, ‘In de Musea. Coates, Robert M., ‘The Art Galleries. Bardeschi, Marco Dezzi, ‘From Johnson to John Sloane’, in: Domus, Milan, September 1982, pp. Recent Sculpture', Saint Louis MO (Travelling Exhibition) A Criticism’, in: Art Voices, Los Angeles, Winter 1965 Hayt-Atkins, Elizabeth, ‘John Chamberlain’, in: ARTnews, New York, May 1989 Painting and Sculpture 1913–1993', Berlin, Germany (Travelling Exhibition), 1992 The Pace Gallery, 'John Chamberlain. Brandt, Tohy, ‘Second Outdoor Exhibition in Monte Carlo’, in: The Journal of Art, Beaverton, April 1989 One Man’s Power of Melding’, in: New York Newsday, New York, 27 March 1991, pp. Lee Lozano (1930–1999) was a key figure and pioneer within the New York art scene of the 1960s and early 1970s. Masks', New York: Gagosian, 2018 (exh. Smith, Roberta, ‘Art in Review. Chamberlain, Lichtenstein, Stella', New York NY Monumenta’, in: Vogue, New York, August 1974, Henning, Edward B., ‘An Important Sculpture by John Chamberlain’, in: The Bulletin of the Cleveland Museum of Art, Cleveland, October 1973, pp. Burr, James, ‘Round the Galleries’, in: Apollo, London, August 1977, p. 156, 1976 Zucker, Barbara, ‘New York Reviews’, in: ARTnews, New York, Summer 1976, p. 175 Temata, Christine, ‘The variety is dazzling in “The Unique Print” at the MFA’, in: The Boston Sunday Globe, Boston, 23 September 1990 Conal, Robbie, ‘Heavy Metal’, in: LA Weekly, Los Angeles, 8 August 1986, p. 47 1996 Abstraction in the 20th Century: Total Risk, Freedom, Discipline. Kreis, Elfi, ‘Die Form ist der Gegenstand. Ronald Greenburg Gallery. Drawings', Munich, Germany SoHo, John Chamberlain’, in: The New York Times, New York, 27 March 1998 In the Barges series (1971 – 1983) he made immense foam couches, inviting spectators to lounge upon the cushioned landscape. cat. Sculpture at the Whitney’, in: The New Yorker, New York, 7 January 1967, pp. The Man who mashed bangers to great effect’, on: www.independent.co.uk, London, 17 August 2015, ill. Kennedy, Randy, ‘Chamberlain Works to Be Displayed at Plaza of Seagram Building’, on: www.nytimes.com, New York, 8 August 2012, ill. Karmel, Pepe, ‘The Year of Living Minimally’, in: Art in America, New York, December 2004, pp. Whitney Museum of American Art, 'Whitney Biennial. Recent Sculpture', New York: Pace Wildenstein, 2005 (exh. Now open — updates to our global locations. Cordier & Ekstrom Gallery, 'Hommage a Caissa', organized by Marcel Duchamp, 1965 Institute of Contemporary Art, University of Pennsylvania, '7 Sculptors', Philadelphia PA